The Use of Figurative Language in Film: Exploring Metaphors and Imagery in Dora and The Lost City of Gold

Abstract

Dora and the Lost City of Gold presents various forms of figurative language that contribute to the construction of narrative and thematic meaning both visually and verbally; however, studies examining its application in film remain limited. This research aims to analyze the types and functions of figurative language and the meanings embedded within the film. A descriptive qualitative method was employed, utilizing content analysis to examine both visual and verbal elements. The results show that figurative language in the form of simile, metaphor, hyperbole, personification, and metonymy is used to support character development, plot progression, and thematic expression. Based on Leech’s (1981) framework, the analysis reveals the presence of conceptual, connotative, affective, and social meanings intertwined throughout the narrative. These figurative expressions are visually represented in ways that enhance the film’s emotional depth and audience engagement. In conclusion, the figurative language in Dora and the Lost City of Gold not only enriches verbal meaning but also deepens the visual and emotional layers of storytelling. Thus, the film presents a valuable object for linguistic and semiotic analysis in cinematic studies.